, mai 2010 — Etude physico-chimique des vernis d’un corpus d’instruments de musique européens du 15e au 18e siècle - approche historique et perspectives de conservation. , ,
, 2012 — Characterization and conservation of the decorative paint on seventeenth-century French and Flemish harpsichord soundboards. Studies in Conservation vol. 57, sup1, S103 - S113
, 2012 — « Le vernis des violons italiens, histoire d’un mythe » in Le violon italien - Une seconde voix humaine.. , , pp90-102
, mai 2016 — Historical linseed oil/colophony varnishes formulations: Study of their molecular composition with micro-chemical chromatographic techniques. Microchemical Journal vol. 126, , p. 200-213
, septembre 2018 — Le violon Sarasate, stradivarius des virtuoses. , ,
, avril 2022 — Stradivarius et la lutherie de Crémone. , ,
, 2010 — A joint use of Raman and infrared spectroscopies for the identification of natural organic media used in ancient varnishes. Journal of Raman Spectroscopy vol. 41, n° 11, p. 1204-1209
, novembre 2018 — « Dating of modern music instrument combining the sharpest 14 C technology and independent expertise » in REFRAIN.. , ,
, décembre 2020 — Revealing lost 16th-century royal emblems on two Andrea Amati’s violins using XRF scanning. Heritage Science vol. 8, n° 112,
, avril 2022 — « La musique dans la Tenture des Fêtes des Valois » in La Tenture des Fêtes des Valois – Tisser les fêtes de Catherine de Médicis.. , , p. 63-67
, novembre 2023 — « Talking about damages, a museum perspective » in Hands-on Workshop on the Safe Analysis of Heritage Objects and Materials Using Novel Accelerator-based Analytical Techniques.. , ,
, novembre 2018 — « Radiocarbon dating application to modern musical instruments: an interdisciplinary study » in labs, art and relics.. , ,
, mai 2013 — « Multiphoton microscopy : an efficient tool for in situ study of historical artifacts » in Optics for Arts, Architecture, and Archaeology IV.. vol. 8790, , Topography and Tomography
, janvier 2014 — New insights into molecular evolution of oil/colophony varnishes: towards pyrolysis-gas chromatography/mass spectrometry-based quantitation. e-Preservation Science vol. 11, , p. 54-63
, 2017 — An harmonious encoding of instrument values by a 19th century Parisian violin dealer. Cryptologia vol. 41, n° 5, p. 448-458
, 2018 — New Insights into the Life and Instruments of Gérard Joseph Deleplanque, Maker in Eighteenth-Century Lille. Galpin Society Journal vol. 71, , p. 5-34
, octobre 2019 — « The use of X-ray fluorescence imaging for the distinction of iron-gall ink inscriptions on artefacts from Stradivari’s workshop » in MA-XRF.. , ,
, 2015 — Synchrotron DUV luminescence micro-imaging to identify and map historical organic coatings on wood. Analyst vol. 140, n° 15, p. 5344-5353