, janvier 2010 — The Nature of the Extraordinary Finish of Stradivari’s Instruments. Angewandte Chemie International Edition vol. 49, n° 1, p. 197-201
, 2020 — Revealing lost 16th-century royal emblems on two Andrea Amati’s violins using XRF scanning. A key issue in understanding artefacts from the past is the loss of
readability of the signs they may have borne. The two 16th… Heritage Science vol. 8, n° 112,
, mai 2020 — The use of XRF imaging for the chemical discrimination of iron-gall ink inscriptions: a case study in Stradivari’s workshop. X-ray fluorescence (XRF) analysis is a powerful approach to discriminate
iron-gall inks from different inscriptions. The… X-Ray Spectrometry , sous presse, dir. Wiley Online Library p. 1-9
, mars 2021 — « Towards digital reconstruction of lost signs borne by heritage artefacts using chemical imaging: the case of 16th-c. violins and luthiers’ tools » in Digital Approaches to Art History and Cultural Heritage.. , ,
, mars 2011 — Identification of the finishing technique of an early eighteenth century musical instrument using FTIR spectromicroscopy. Analytical and Bioanalytical Chemistry vol. 399, n° 9, p. 3025-3032
, janvier 2010 — Zusammensetzung und Aufbau des berühmten Stradivari-Lackes. Angewandte Chemie vol. 122, n° 1, p. 202-206
, 2010 — A joint use of Raman and infrared spectroscopies for the identification of natural organic media used in ancient varnishes. Journal of Raman Spectroscopy vol. 41, n° 11, p. 1204-1209
, décembre 2020 — Revealing lost 16th-century royal emblems on two Andrea Amati’s violins using XRF scanning. Heritage Science vol. 8, n° 112,
, octobre 2019 — « The use of X-ray fluorescence imaging for the distinction of iron-gall ink inscriptions on artefacts from Stradivari’s workshop » in MA-XRF.. , ,