, 2021 — Etude de l’origine physico-chimique des couleurs des images photochromatiques d’Edmond Becquerel. Support Tracé vol. 21, sous presse, sous presse
, 2021 — Edmond Becquerel et la Photographie. Support Tracé vol. 21, sous presse,
, 2021 — Le rôle et l’évolution du papier en photographie. Support Tracé vol. 21, sous presse,
, 2021 — Sur les traces des cadeaux photographiques de Louis Daguerre. Support Tracé vol. 21, sous presse,
, 2021 — Effet d’une inondation d’eau de mer sur des photographies gélatino-argentiques (et du sel sur la couleur de la morue). Support Tracé vol. 21, sous presse,
, 2021 — La préservation d’une collection de négatifs photographiques sur plaque de verre en milieu tropical. Support Tracé vol. 21, sous presse,
, 2021 — La Fondation Arabe pour l’Image mise à l’épreuve. Support Tracé vol. 21, sous presse,
, 2020 — Methods of Mitigating Volatile Organic Compounds and Fungi. ICOM-CC Photographic Material Working Group Newsletter , , p. 9-10
, 2020 — The Negative Image before the Photographic Negative. In photography, a negative is an image that presents a reversed grading
of tonalities with respect to the subject. This tone… Journal of the American Institute for Conservation , sous presse,
ISSN
0197-1360
, 2020 — Quantitative and Qualitative Assessment of VOCs emitted from Cellulose Acetate Movie Films by PTR-ToF-MS. Cellulose acetate (CA) has been widely used since the second half of the
20th century as a transparent support for photographs… Journal of Cultural Heritage , sous presse,
, 2020 — Spectroscopies and Electron Microscopies Unravel the Origin of the First Colour Photographs. The first colour photographs were created by a process introduced by
Edmond Becquerel in 1848. The nature of these… Angewandte Chemie vol. 132, n° 23, p. 9198-9204
ISSN
1521-3757
, 2020 — Replication and study of the colouration of Edmond Becquerel’s photochromatic images. Journal of Cultural Heritage vol. 45, , p. 114-121
, septembre 2019 — Spectroscopic characterization of selected French paper negatives (1843-1856): how to see through many processes?. Photographic negative images on paper are certainly the earliest types
of photographs ever produced, giving access to multiple… Microchemical Journal vol. 149, , p. 104069
ISSN
0026265X
, 2019 — Unveiling the Colours of Cellulose Nitrate Black and White Film-based Negatives in Colonial Photography. Studies in Conservation , , p. 1-9
ISSN
0039-3630, 2047-0584
, 2019 — Macroscopic reflectance spectral imaging to reveal multiple and complementary types of information for the non-invasive study of an entire polychromatic manuscript. Journal of Cultural Heritage vol. 35, , p. 1-15
ISSN
12962074
, 2019 — Hybrid PMMA combined with polycarbonate inside interpenetrating polymer network architecture for development of new anti-scratch glass. Polymethyl methacrylate (PMMA) is commonly used as organic glass for the
protection of works in museums. However, their extreme… Materials Today Communications vol. 21, , p. 100582
ISSN
2352-4928
, décembre 2018 — Consolidation of degraded polyurethane foams by means of polysiloxane mixtures: Polycondensation study and application treatment. Polyurethane (PUR) ester foams are found in 20th century museum
collections in a variety of artworks and objects. Unfortunately… Polymer Degradation and Stability vol. 158, , p. 92-101
ISSN
0141-3910
, avril 2018 — Characterizing the Intrinsic Fluorescence Properties of Historical Painting Materials: The Case Study of a Sixteenth-Century Mesoamerican Manuscript. Applied Spectroscopy vol. 72, n° 4, p. 573-583
ISSN
0003-7028, 1943-3530
, 2018 — A Fast and Safe Method for the Identification of Cellulose Nitrate Film in Collections. Journal of Paper Conservation vol. 19, n° 4, p. 154-155
ISSN
1868-0860
, 2018 — Long-term effect of silk paper used for wrapping of plasticized PVC objects: Comparison between ancient and model PVC. Polymer Degradation and Stability vol. 155, , p. 183-193