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The Center for Research on Preservation (known by its French initials, CRC) is a research and services unit that falls under the joint umbrella of the CNRS (France’s national scientific research council), the French National Museum of Natural History and the Ministry of Culture and Communication. It specializes in research aiming at the preservation of cultural property.
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    • Three teams on three sites
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    • CRCC team
      • Biodeterioration et Environnement EN
      • Natural History collections
      • Colours and visual effects EN
      • Leather and parchment
      • Separative methods applied to Cultural Heritage materials
      • Photographic objects
      • Paper and Cellulose
      • Tracings
    • ECR team
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    • CRCC research projects
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      • Musical instrument and sound heritage
      • History of collections
      • Music and visual arts
      • The actors of music
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    • X-ray fluorescence imaging spectrometer
    • Proton transfer mass spectrometry (PTR-MS)
    • Imageurs hyperspectraux (VNIR et SWIR) EN
    • Multiphoton microscope
  • Networks and collaborations
  • Practical tools for conservation
    • Calculator of the deterioration and the permanence of paper
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Centre de Recherche sur la Conservation (CRC)
UAR 3224

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Loeper-Attia Marie-Anne, December 2023 — Maintenance et conservation-restauration sur des objets patrimoniaux avec une fonction d’usage : le cas particulier des instruments de musique. Conservation restauration des biens culturels , n° 40,
https://hal.science/hal-04448577
Viala Romain, Chabassier Juliette, Ernoult Augustin, Jossic Marguerite, van Baarsel Tobias, Lambert Elsa & Cecconi Cécile, December 2023 — Numérisation, valorisation et jumeaux numériques d’instruments de musique du patrimoine. , RR-9532,
https://inria.hal.science/hal-04352706
de Bruyn-Ouboter Vera & Loeper-Attia Marie-Anne, December 2023 — Entretien avec Vera de Bruyn-Ouboter autour de son questionnaire sur les aspects matériels et immatériels d’un instrument de musique. Conservation restauration des biens culturels , n° 40,
https://hal.science/hal-04448604
Échard Jean-Philippe, November 2023 — « Talking about damages, a museum perspective » in Hands-on Workshop on the Safe Analysis of Heritage Objects and Materials Using Novel Accelerator-based Analytical Techniques.. , ,
https://hal.science/hal-04287536
Gauthier Vincent, Almanza Victor, Jossic Marguerite, Kirsch Sebastian, Emmanuel Foltete, Cogan Scott, Echard Jean-Philippe, Wilkie-Chancellier Nicolas & Vaiedelich Stéphane, September 2023 — « Investigation Of Bracings Transformations On Voboam Guitars: What Can Uncalibrated FEM Models Tell Us? » in Forum Acusticum 2023.. , ,
https://dx.doi.org/10.61782/fa.2023.0867
Wijnand Marc, Boutin Henri, Jossic Marguerite & Maniguet Thierry, September 2023 — « A physical model for the electromagnetic loudspeaker used in early ondes Martenot diffuseurs » in 10th Convention of the European Acoustics Association (Forum Acusticum 2023).. , ,
https://hal.science/hal-04185959
Forma Loïc, Boutin Henri, Jossic Marguerite, Wilkie-Chancellier Nicolas & Leconte Sandie, September 2023 — « A unified approach to compare active vibration control performances and its application in a museal context » in Forum Acusticum 2023.. , ,
https://dx.doi.org/10.61782/fa.2023.0757
Loïc Forma, Boutin Henri, Jossic Marguerite, Le Conte Sandie & Wilkie-Chancellier Nicolas, April 2023 — Vibrations and cultural heritage preservation: a new approach to protect objects. The European Physical Journal Plus vol. 138, n° 310,
https://dx.doi.org/10.1140/epjp/s13360-023-03908-3
Condi Louise, Échard Jean-Philippe & Kirsch Sebastian, March 2023 — The Nyckelharpa of the musée de la Musique: An Emblem of the Nineteenth-Century French Interest in Swedish Musical Culture. Galpin Society Journal vol. 76, , 220-223, 248-262
https://hal.science/hal-04287413
Échard Jean-Philippe & Bertrand Loïc, January 2023 — « Le projet “ techniques de vernissage d’instruments de musique XVIe–XVIIIe s. ” comme point de départ de réflexions sur les méthodologies de recherche » in Atelier “ Concordance et discordance documentaires : des gestes, des textes et de la matière aux époques médiévale et moderne ”.. , ,
https://hal.science/hal-04287510
Forma Loïc, Wilkie-Chancellier Nicolas, Le Conte Sandie, Boutin Henri & Jossic Marguerite, August 2022 — « Experimental design of an active vibration control device used to protect cultural heritage objects » in Inter-Noise 2022.. , ,
https://dx.doi.org/10.3397/in\_2022\_0245
Échard Jean-Philippe, April 2022 — « Les violons de Crémone à la cour des derniers Valois » in La Cour en fête dans l’Europe des Valois.. , , p. 221-235
https://hal.science/hal-03611305
Échard Jean-Philippe, April 2022 — Stradivarius et la lutherie de Crémone. , ,
https://hal.science/hal-03616561
Échard Jean-Philippe, April 2022 — « La musique dans la Tenture des Fêtes des Valois » in La Tenture des Fêtes des Valois – Tisser les fêtes de Catherine de Médicis.. , , p. 63-67
https://hal.science/hal-03611398
Échard Jean-Philippe & Albiero Laura, December 2021 — Identifying Medieval Fragments in Three Musical Instruments Made by Antonio Stradivari. Fragmentology vol. 4, ,
https://dx.doi.org/10.24446/v4ub
Échard Jean-Philippe & Radepont Marie, March 2021 — « Towards digital reconstruction of lost signs borne by heritage artefacts using chemical imaging: the case of 16th-c. violins and luthiers’ tools » in Digital Approaches to Art History and Cultural Heritage.. , ,
https://hal.science/hal-04293496
Durier Marie-Gabrielle, Girard-Muscagorry Alexandre, Hatté Christine, Fabris Tiphaine, Foasso Cyrille, Nowik Witold & Vaiedelich Stéphane, 2021 — The story of the “Qiulai” qin unraveled by radiocarbon dating, Chinese inscriptions and material characterization. Heritage Science vol. 9, n° 1, p. 89
https://dx.doi.org/10.1186/s40494-021-00563-8
Radepont Marie, Échard Jean-Philippe, Ockermüller Matthias, de La Codre Hortense & Belhadj Oulfa, December 2020 — Revealing lost 16th-century royal emblems on two Andrea Amati’s violins using XRF scanning. Heritage Science vol. 8, n° 112,
https://dx.doi.org/10.1186/s40494-020-00460-6
Almanza Victor, Vaiedelich Stéphane, Placet Vincent, Cogan Scott, Foltête Emmanuel, Serfaty Stephane & Le Conte Sandie, December 2020 — Maintaining a musical instrument in playing condition : original constraints and origins of mechanical constraints in a string musical instrument. Technè , n° 50, p. 63-71
https://dx.doi.org/10.4000/techne.7838
Échard Jean-Philippe, November 2020 — Une exceptionnelle basse de violon à la cour des derniers Valois. La Revue des musées de France , n° 4, p. 4-8
https://hal.science/hal-03499920
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  • Victor ALMANZA
  • Oulfa BELHADJ
  • Céline DAHER EN
  • Marie-Gabrielle DURIER
  • Jean-Philippe ÉCHARD
  • Loic FORMA
  • Marguerite JOSSIC
  • Christine LALOUE
  • Bertrand LAVEDRINE
  • Marie-Anne LOEPER-ATTIA
  • Thierry MANIGUET
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