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Institutional affiliations CNRS-MNHN-Ministère de la Culture
The Center for Research on Preservation (known by its French initials, CRC) is a research and services unit that falls under the joint umbrella of the CNRS (France’s national scientific research council), the French National Museum of Natural History and the Ministry of Culture and Communication. It specializes in research aiming at the preservation of cultural property.
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    • Three teams on three sites
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      • Biodeterioration et Environnement EN
      • Natural History collections
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      • Leather and parchment
      • Separative methods applied to Cultural Heritage materials
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      • Musical instrument and sound heritage
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      • The actors of music
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    • X-ray fluorescence imaging spectrometer
    • Proton transfer mass spectrometry (PTR-MS)
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    • Multiphoton microscope
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    • Calculator of the deterioration and the permanence of paper
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Centre de Recherche sur la Conservation (CRC)
UAR 3224

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Marguerite JOSSIC
Chargé.e de recherche
+33 1 44 84 46 82
ECR

221 avenue Jean-Jaurès

75019 Paris

Jean-Philippe ÉCHARD
Conservateur.ice
jpechard [at] cite-musique.fr
01 44 84 89 52
ECR

221 avenue Jean-Jaurès

75019 Paris

Loeper-Attia Marie-Anne, September 2019 — « Physical and Chemical Interactions between Metallic Instruments and Plastic Threads » in Metal 2019 Proceedings of the Interim Meeting of the ICOM-CC Metals Working Group September 2-6, 2019 Neuchâtel, Switzerland.. , ,
https://hal.science/hal-04449341
Echard Jean-Philippe, October 2002 — « Le vernis des instruments de musique : principe et spécificités » in Art et Chimie: Les polymères.. , , p. 75-80
https://hal.science/hal-01446437
Échard Jean-Philippe, April 2022 — « Les violons de Crémone à la cour des derniers Valois » in La Cour en fête dans l’Europe des Valois.. , , p. 221-235
https://hal.science/hal-03611305
Shapreau Carla, Échard Jean-Philippe & Laloue Christine, 2019 — « Documenting the Violin Trade in Paris: the Archives of Albert Caressa and Émile Français, 1930-1945 » in Collecting and Provenance: A Multidisciplinary Approach.. , , p. 189-204
https://hal.science/hal-03636503
Thoury Mathieu, Echard Jean-Philippe, Refregiers Matthieu M., Berrie Barbara H, Nevin Austin, Jamme Frédéric & Bertrand Loïc, March 2011 — Synchrotron UV–Visible Multispectral Luminescence Microimaging of Historical Samples. Analytical Chemistry vol. 83, n° 5, p. 1737-1745
https://dx.doi.org/10.1021/ac102986h
Echard Jean-Philippe, Bertrand Loïc, von Bohlen Alex, Le Hô Anne-Solenn, Paris Céline, Bellot-Gurlet Ludovic, Soulier Balthazar, Lattuati-Derieux Agnès, Thao Sylvie, Robinet Laurianne, Lavédrine Bertrand & Stéphane Vaiedelich, January 2010 — The Nature of the Extraordinary Finish of Stradivari’s Instruments. Angewandte Chemie International Edition vol. 49, n° 1, p. 197-201
https://dx.doi.org/10.1002/anie.200905131
Radepont Marie, Echard Jean-Philippe, Ockermüller Matthias, de la Codre Hortense & Belhadj Oulfa, 2020 — Revealing lost 16th-century royal emblems on two Andrea Amati’s violins using XRF scanning. A key issue in understanding artefacts from the past is the loss of readability of the signs they may have borne. The two 16th… Heritage Science vol. 8, n° 112,
Gauthier Vincent, Almanza Victor, Jossic Marguerite, Kirsch Sebastian, Emmanuel Foltete, Cogan Scott, Echard Jean-Philippe, Wilkie-Chancellier Nicolas & Vaiedelich Stéphane, September 2023 — « Investigation Of Bracings Transformations On Voboam Guitars: What Can Uncalibrated FEM Models Tell Us? » in Forum Acusticum 2023.. , ,
https://dx.doi.org/10.61782/fa.2023.0867
Loeper-Attia Marie-Anne, December 2023 — Maintenance et conservation-restauration sur des objets patrimoniaux avec une fonction d’usage : le cas particulier des instruments de musique. Conservation restauration des biens culturels , n° 40,
https://hal.science/hal-04448577
de La Codre Hortense, Radepont Marie, Échard Jean-Philippe, Belhadj Oulfa, Vaiedelich Stéphane & Rouchon Véronique, May 2020 — The use of XRF imaging for the chemical discrimination of iron-gall ink inscriptions: a case study in Stradivari’s workshop. X-ray fluorescence (XRF) analysis is a powerful approach to discriminate iron-gall inks from different inscriptions. The… X-Ray Spectrometry , sous presse, dir. Wiley Online Library p. 1-9
https://dx.doi.org/10.1002/xrs.3160
Jossic Marguerite, Thomas Olivier, Denis Vivien, Chomette Baptiste, Mamou-Mani Adrien & Roze David, July 2018 — Effects of internal resonances in the pitch glide of Chinese gongs. J Acoust Soc Am vol. 144, n° 1, p. 431
ISSN
1520-8524
https://dx.doi.org/10.1121/1.5038114
Jossic Marguerite, Mamou-Mani Adrien, Chomette Baptiste, Roze David, Ollivier François & Josserand Christophe, June 2017 — Modal active control of Chinese gongs. J Acoust Soc Am vol. 141, n° 6, p. 4567
ISSN
1520-8524
https://dx.doi.org/10.1121/1.4985108
Denis V., Jossic M., Giraud-Audine C., Chomette B., Renault A. & Thomas O., June 2018 — Identification of nonlinear modes using phase-locked-loop experimental continuation and normal form. Mechanical Systems and Signal Processing vol. 106, , p. 430-452
ISSN
0888-3270
https://dx.doi.org/10.1016/j.ymssp.2018.01.014
Jossic Marguerite, Roze David, Hélie Thomas, Chomette Baptiste & Mamou-Mani Adrien, 2017 — Energy Shaping of a Softening Duffing Oscillator Using the Formalism of Port-Hamiltonian Systems. 20th International Conference on Digital Audio Effects (DAFx-17) , , p. 8
http://dafx17.eca.ed.ac.uk/papers/DAFx17_paper_98.pdf
Denis V, Jossic M, Renault A & Giraud-Audine C, 2017 — Mesure de résonances nonlinéaires et de courbes maitresses d’une poutre piézoélectrique. 23e Congrès Français de Mécanique , , p. 5
http://documents.irevues.inist.fr/bitstream/handle/2042/63361/131926.pdf?sequence=1
Jossic Marguerite, Meurisse T., Misdariis N. & Mamou-Mani Adrien, 2014 — Perception du contrôle actif sur instruments à vent. 12ème Congrès Français d'Acoustique , ,
https://hal.archives-ouvertes.fr/hal-01107147/document
Latour Gael, Echard Jean-Philippe, Soulier Balthazar, Emond Isabelle, Vaiedelich Stephane & Elias Mady, 2009 — Structural and optical properties of wood and wood finishes studied using optical coherence tomography: Application to an 18th century Italian violin. Optical coherence tomography (OCT) is especially attractive for the study of cultural heritage artifacts because it is… Applied optics vol. 48, n° 33, p. 6485-6491
ISSN
15394522 1559128X
https://dx.doi.org/10.1364/AO.48.006485
Loeper-Attia Marie-Anne, August 2011 — « The conservation and restoration of extra-european musical instruments at the musée de la musique in Paris » in Annual Meeting of the International Committee of Musical Instrument Museum and Collections. CIMCIM 2011.. , ,
https://hal.science/hal-04448738
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