, 2021 — Les premiers négatifs, le concept et l’image. , , p. 97-21
, September 2019 — Spectroscopic characterization of selected French paper negatives (1843-1856): how to see through many processes?. Photographic negative images on paper are certainly the earliest types
of photographs ever produced, giving access to multiple… Microchemical Journal vol. 149, , p. 104069
ISSN
0026265X
, October 2022 — « French paper negatives: replicate to better assess and understand light sensitivity » in 2023 Photographic Materials Group Winter Meeting.. , ,
, December 2018 — Consolidation of degraded polyurethane foams by means of polysiloxane mixtures: Polycondensation study and application treatment. Polyurethane (PUR) ester foams are found in 20th century museum
collections in a variety of artworks and objects. Unfortunately… Polymer Degradation and Stability vol. 158, , p. 92-101
ISSN
0141-3910
, January 2018 — Ingres’ Drawings: Retrospective Conservation Practices. In the 1950s, the poor state of Ingres’ drawings collection at the
Museum of Montauban, France, motivated an important… Journal of Paper Conservation vol. 19, n° 3, p. 88-98
ISSN
1868-0860, 2057-1682
, May 2021 — « Illuminating yellow and red feathers in museum exhibits: Microfading tests and light sensitivity of their bio-pigments » in COM-CC 19th Triennial Conference : Transcending Boundaries: Integrated Approaches to Conservation.. , ,
, June 2020 — Colored feathers in museum collections: A spectroscopic study of 3 bio-pigments and their lightfastness. Journal of Cultural Heritage , ,
, May 2017 — « A multi-analytical characterization of French paper negatives: how to see through many processes? » in Technart 2017.. , ,
, November 2019 — « Consolidation des mousses polyuréthane ester par les polysiloxanes : cas d’application sur une œuvre de Ben Vautier et recherche de nouveaux matériaux de consolidation » in Journée d’étude Le polyuréthane dans tous ses états.. , ,