, September 2020 — Replication and study of the colouration of Edmond Becquerel’s photochromatic images. Journal of Cultural Heritage vol. 45, , p. 114-121
, July 2014 — TiO2-anatase-supported oxorhenate catalysts prepared by oxidative redispersion of metal Re0 for methanol conversion to methylal: A multi-technique in situ/operando study. Comptes Rendus. Chimie vol. 17, 7-8, p. 808-817
, 2021 — Les premiers négatifs, le concept et l’image. , , p. 97-21
, September 2019 — Spectroscopic characterization of selected French paper negatives (1843-1856): how to see through many processes?. Photographic negative images on paper are certainly the earliest types
of photographs ever produced, giving access to multiple… Microchemical Journal vol. 149, , p. 104069
ISSN
0026265X
, October 2022 — « French paper negatives: replicate to better assess and understand light sensitivity » in 2023 Photographic Materials Group Winter Meeting.. , ,
, March 2023 — « Matérialité et conservation des plaques interférentielles : orientations » in Journées d’études La photographie interférentielle.. , ,
, October 2019 — L’origine des couleurs dans les premières photographies couleur d’Edmond Becquerel. , , 35, n444-445
, 2020 — Spectroscopies and Electron Microscopies Unravel the Origin of the First Colour Photographs. The first colour photographs were created by a process introduced by
Edmond Becquerel in 1848. The nature of these… Angewandte Chemie vol. 132, n° 23, p. 9198-9204
ISSN
1521-3757
, 2020 — Replication and study of the colouration of Edmond Becquerel’s photochromatic images. Journal of Cultural Heritage vol. 45, , p. 114-121
, May 2016 — Time resolved XANES illustrates a substrate-mediated redox process in Prussian blue cultural heritage materials. Journal of Physics: Conference Series vol. 712, , p. 012139
, June 2020 — Spectroscopies and Electron Microscopies Unravel the Origin of the First Colour Photographs. Angewandte Chemie International Edition vol. 59, n° 23, p. 9113-9119
, 2013 — Why does Prussian blue fade? Understanding the role(s) of the substrate. Journal of Analytical Atomic Spectrometry vol. 28, n° 10, p. 1600
, September 2022 — « Interferential colour plates from the 19th c. to the 21st c.: characterization and preservation » in Colour Photography and Film: Sharing knowledge of analysis, preservation, and conservation of analogue and digital materials 2022.. vol. Vol. 008, , p. 168-171
, May 2017 — « A multi-analytical characterization of French paper negatives: how to see through many processes? » in Technart 2017.. , ,
, April 2013 — Colorando Auro: contribution to the understanding of a medieval recipe to colour gilded silver plates. Applied physics. A, Materials science & processing vol. 111, n° 1, p. 39-46
, April 2013 — “Live” Prussian blue fading by time-resolved X-ray absorption spectroscopy. Applied physics. A, Materials science & processing vol. 111, n° 1, p. 15-22
, July 2015 — X-ray Photochemistry of Prussian Blue Cellulosic Materials: Evidence for a Substrate-Mediated Redox Process. Langmuir vol. 31, n° 29, p. 8168-8175
, December 2014 — Light and anoxia fading of Prussian blue dyed textiles. Heritage Science vol. 2, n° 1,
, November 2022 — « Origine des couleurs de la première photographie couleur : l’hypothèse plasmonique. » in NanoApp 2022 - Apparence visuelle de milieux nanostructurés.. , ,
, 2020 — Etude de l’origine physico-chimique des couleurs des images photochromatiques d’Edmond Becquerel. Support Tracé vol. 21, sous presse, p. 58-20