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Institutional affiliations CNRS-MNHN-Ministère de la Culture
The Center for Research on Preservation (known by its French initials, CRC) is a research and services unit that falls under the joint umbrella of the CNRS (France’s national scientific research council), the French National Museum of Natural History and the Ministry of Culture and Communication. It specializes in research aiming at the preservation of cultural property.
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  • To know our unit
    • Three teams on three sites
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  • Research teams
    • CRCC team
      • Biodeterioration et Environnement EN
      • Natural History collections
      • Colours and visual effects EN
      • Leather and parchment
      • Separative methods applied to Cultural Heritage materials
      • Photographic objects
      • Paper and Cellulose
      • Tracings
    • ECR team
    • LRMH Team
  • Scientific life
    • CRCC research projects
    • ECR research projects
      • Musical instrument and sound heritage
      • History of collections
      • Music and visual arts
      • The actors of music
    • Seminars
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  • Equipments
    • X-ray fluorescence imaging spectrometer
    • Proton transfer mass spectrometry (PTR-MS)
    • Imageurs hyperspectraux (VNIR et SWIR) EN
    • Multiphoton microscope
  • Networks and collaborations
  • Practical tools for conservation
    • Calculator of the deterioration and the permanence of paper
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Centre de Recherche sur la Conservation (CRC)
UAR 3224

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Lecouteux Stéphane, Robinet Laurianne, Arberet Lucie, Belhadj Oulfa, Michelin Anne, Radepont Marie, Rouchon Véronique & Heu-Thao Sylvie, June 2023 — Les apports de l’analyse des materiaux et de l’imagerie chimique à l’histoire des scriptoria et des bibliothèques : le ms. Avranches, BP, 50, temoin des relations entre le Mont Saint-Michel et Saint-Laumer de Blois avant 1022. Première partie. Scriptorium : revue internationale des études relatives aux manuscrits vol. LXXIV, 2021-2, p. 251-284
https://hal.science/hal-04211954
Pacheco Claire, Lemasson Quentin, Moignard Brice, Pichon Laurent, Radepont Marie & Gourier Didier, August 2016 — D’AGLAE à New AGLAE. Technè , n° 43, p. 63-69
https://dx.doi.org/10.4000/techne.689
Robinet Laurianne, Bonnot-Diconne Céline, Pacheco Claire, Radepont Marie, Fournet Jean-Pierre, Paris Mariabianca & Ioele Marcella, 2016 — Les cuirs dorés polychromes et le multi-accès FIXLAB CHARISMA : génèse d’une recherche innovante. Technè vol. 43, , p. 114-119
https://dx.doi.org/10.4000/techne.856
Monico Letizia, Janssens Koen, Miliani Costanza, van der Snickt Geert, Brunetti Brunetto Giovanni, Cestelli Guidi Mariangela, Radepont Marie & Cotte Marine, December 2012 — Degradation Process of Lead Chromate in Paintings by Vincent van Gogh Studied by Means of Spectromicroscopic Methods. 4. Artificial Aging of Model Samples of Co-Precipitates of Lead Chromate and Lead Sulfate. Analytical Chemistry vol. 85, n° 2, p. 860-867
https://dx.doi.org/10.1021/ac3021592
Radepont Marie, Échard Jean-Philippe, Ockermüller Matthias, de La Codre Hortense & Belhadj Oulfa, December 2020 — Revealing lost 16th-century royal emblems on two Andrea Amati’s violins using XRF scanning. Heritage Science vol. 8, n° 112,
https://dx.doi.org/10.1186/s40494-020-00460-6
Monico Letizia, Janssens Koen, Miliani Costanza, Brunetti Brunetto Giovanni, Vagnini Manuela, Vanmeert Frederik, Falkenberg Gerald, Abakumov Artem, Lu Yinggang, Tian He, Verbeeck Johan, Radepont Marie, Cotte Marine, Hendriks Ella, Geldof Muriel et al., December 2012 — Degradation Process of Lead Chromate in Paintings by Vincent van Gogh Studied by Means of Spectromicroscopic Methods. 3. Synthesis, Characterization, and Detection of Different Crystal Forms of the Chrome Yellow Pigment. Analytical Chemistry vol. 85, n° 2, p. 851-859
https://dx.doi.org/10.1021/ac302158b
da Pieve F., Hogan C., Lamoen D., Verbeeck J., Vanmeert F., Radepont Marie, Cotte M., Janssens K., Gonze X. & van Tendeloo G., November 2013 — Casting Light on the Darkening of Colors in Historical Paintings. Physical Review Letters vol. 111, n° 20, p. 208302
https://dx.doi.org/10.1103/PhysRevLett.111.208302
Radepont Marie, March 2022 — La quantification par pXRF : retour sur un 1er atelier de travail du réseau CAI-RN. , ,
https://hal.science/hal-04292458
Bellenger Remy, Belhadj Oulfa & Radepont Marie, 2020 — Le papier porcelaine et ses utilisations, une histoire oubliée. Arts et Métiers du Livre vol. 341, , p. 54-61
https://hal.science/hal-04293524
Radepont Marie, Robinet Laurianne, Lemasson Quentin, Moignard Brice, Pichon Laurent, Pacheco Claire & Bonnot-Diconne Céline, April 2015 — « Ion beam analysis of silver foils in gilt-leather wall coverings » in Technart 2015.. , ,
https://hal.science/hal-01149915
Bonnot-Diconne Céline, Radepont Marie & Robinet Laurianne, January 2021 — « La feuille d’argent dans les décors en cuir doré polychrome (XVI e -XVIII e siècles) - mise en œuvre, altérations et analyses » in ICOM Métal France 2021 - Métal : support de décor ou élément du décor.. , ,
https://hal.science/hal-03118709
Radepont Marie, April 2022 — Acquisition d’un imageur XRF pour l’analyse d’objets du patrimoine. , ,
https://hal.science/hal-04292466
Radepont Marie, Belhadj Oulfa, de La Codre Hortense, Echard Jean-Philippe, Vaiedelich Stéphane & Rouchon Véronique, October 2019 — « The use of X-ray fluorescence imaging for the distinction of iron-gall ink inscriptions on artefacts from Stradivari’s workshop » in MA-XRF.. , ,
https://hal.science/hal-02454774
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By authors

  • Oulfa BELHADJ
  • Jean-Philippe ÉCHARD
  • Sylvie HEU-THAO
  • Anne MICHELIN
  • Laurianne ROBINET
  • Véronique ROUCHON
  • Aurélie TOURNIÉ
  • (-) Marie RADEPONT

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  • CRCC
  • ECR

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  • Ministère de la Culture
  • MNHN
  • Philharmonie de Paris
  • (-) CNRS

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